NEWS
2024:
April 23:
Holographic Will at Scratch Projection: What’s Going On? - Luminor Hôtel de Ville - Paris, France
April 6 and 7:
Holographic Will at Los Angeles Festival of Movies - Now Instant Image Hall - Los Angeles, CA
March 19:
Something To Touch That Is Not Corruption Or Ashes Or Dust in The Places We Call Home - Artist Film Workshop - Melbourne, Australia
March 16:
Holographic Will at First Look 2024 - Museum of the Moving Image - Queens, New York
January 28 - February 1:
Holographic Will at International Film Festival Rotterdam - Rotterdam, Netherlands
2023:
November 11:
Holographic Will at Media City Film Festival - Windsor, Ontario, Canada
November 5:
Tomorrow: It’s not too late to join at Light Matter Festival - Alfred, NY
September 24:
Collision Center: Films by Mike Stoltz at Los Angeles Film Forum - 2220 Arts and Archives - Los Angeles, CA
July 27:
With Pluses and Minuses in Aural Feedback, Program 1 - Anthology Film Archives - NY, NY
July 24:
Tomorrow: it’s not too late to join in Later Experiments in Video Feedback - Anthology Film Archives - NY, NY
July 2:
Something To Touch That Is Not Corruption Or Ashes Or Dust in THE OBSERVERS - Koganei-City Nakamachi Tenjinmae Community Center - Tokyo, Japan
June 7:
Spotlight on a Brick Wall in Stray, With the Body - Woodbine - Queens, NY
May 20:
Digital oscillator piece with Terror Management Band at Finger Mullet Film Festival - Crisp-Ellert Art Musuem - Saint Augustine, FL
March 24:
Collision Center II
is now available from Pegacorn Press. This is the second book in the series using camera-less images generated with video oscillators and feedback. Collision Center II is as much of a sculpture as it is a book, using a system of folds and gluing to pop up into a 360-degree geometric object.
The images in this book were all created with the Hearn EAB Videolab synthesizer. Designed in collaboration with Caroline Kern of Pegacorn Press and rendered in glorious color risograph printing by the good people at Knust Press, Nijmegen, Netherlands.
ORDER HERE ︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎
